In 1911, the composer Gustav Mahler died from a combination of poor heart valves and a streptococcus infection. He was only 50 years old. Never mind whether or not you like or have even heard of Gustav Mahler – for those of us who like music from previous centuries, he is one of the greats, though far from all lovers of classical music are Mahler enthusiasts.
The reason I was reminded of Gustav Mahler (I warn you: This is going to be a magna grada digression), in fact the reason why I am currently listening to his Symphony no. 3, is that I have just finished reading a gigantic novel by Thomas Mann, The Buddenbrooks, published in 1901.
Thomas Mann was heartbroken when Gustav Mahler died, and wrote the novella Death in Venice, upon which the eponymous 1971 film was based. Although Mann’s protagonist was a writer like himself, Visconti who directed the film made the dying Mahler the hero. I believe the film contributed greatly to Mahler’s increased popularity among even young people in the last quarter of the previous century.
Thomas Mann, on the other hand, (1875–1955), lived to stand up to Hitler in a big way and survived to a relatively ripe old age.
The Buddenbrooks for which he won a Nobel prize analyses as only an epic novel can, how a wealthy, respected and God-faring clan can disintegrate. An interesting aspect of the story is that the Buddenbrooks are both truly “good” people and astute businessmen. He is not – I repeat – not ascribing their demise to vice.
“Demise” is the key word here. What causes demise? Thomas Mann needed hundreds of pages to explain the matter, so how could I do so in few words? However, I don’t doubt that most analysts of past empires will agree that the causes of demise include internal cracks and external pressures.
In his novels The Buddenbrooks and Death in Venice, Mann is also obsessed with Death. Listening to Mahler’s music (now the Symphony no. 5) I imagine Mahler was too. After all, people died back then, in a big way, even from common colds! In The Buddenbrooks, the main protagonist dies in unbelievable pain from an infected tooth.
As I hear it, Mahler’s music is all about death, senseless, outrageous death, such as the deaths of the 225 people who were torn out of completely ordinary lives on 9 November 2024 (14 still missing) due to, YES, vice. No, not their own vice, that of the powers that be: Greed.
Greed that for decades has dismissed warnings about climate change.
See the pictures of the flood and its consequences from Elpais.com ( Double-click picture no. 2 to navigate with left/right arrows.)